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IN/OUT/THRU
Installation
2023-2025
Installation
2023-2025
A quilted immersive installation that transports viewers to the inside of their psyche, where cognitive dissonance is visualized by geometric patterns and chromatic tension. Sit in the overwhelm that comes from reckoning with who we are versus who we want to be (individually, collectively, societally).
IN/OUT/THRU hosts the sound work Lines Lines On These Walls by Leila Mnekbi.
IN/OUT/THRU hosts the sound work Lines Lines On These Walls by Leila Mnekbi.
Filed under:
amok, pattern, installation, soft sculpture, performance, houston
︎︎︎See: PUSH/PULL (Exhibition Project)
︎︎︎Listen: Lines Lines On These Walls (Amok)
amok, pattern, installation, soft sculpture, performance, houston
︎︎︎See: PUSH/PULL (Exhibition Project)
︎︎︎Listen: Lines Lines On These Walls (Amok)
PUSH/PULL is a transdisciplinary exhibition project featuring new works by aisha tida and Leila Mnekbi in the Upstairs BOX at Box13 ArtSpace, developed with the support of ARCOS Dance and funded in part by the City of Houston through Houston Arts Alliance.
Through experiential sculptural and sound works and audience collaboration, PUSH/PULL invites visitors to experiment with notions of agency and collectivity while questioning the patterns, loops, and illusions we wish to escape.
Through experiential sculptural and sound works and audience collaboration, PUSH/PULL invites visitors to experiment with notions of agency and collectivity while questioning the patterns, loops, and illusions we wish to escape.
Filed under:
amok, curatorial, exhibition, houston, installation, pattern, participatory, performance, dance, collab, soft sculpture, event
︎︎︎See: PUSH/PULL (Exhibition Project)
︎︎︎ARCOS Dance
amok, curatorial, exhibition, houston, installation, pattern, participatory, performance, dance, collab, soft sculpture, event
︎︎︎See: PUSH/PULL (Exhibition Project)
︎︎︎ARCOS Dance
A Time For Action
Curatorial
2021
Curatorial
2021
A curated evening of installation-performances designed to question the boundaries of “performance” through staged conversations reckoning with the ways that we each have internalized, perform, and sustain white supremacy on a personal and institutional level.
